How I Plan To Avoid Certain Failures As A Hyperlocal Blogger

by Steve Sherron on May 5, 2009

I lost a freelance job last week. I actually lost a job that I did not even pursue or ask for. Let me explain.

Being a hyperlocal blogger, I post a lot of videos on my site that I produce. The videos are mainly of local events or gatherings. I do it for fun and not profit up to this point. I do it for content. It accomplishes a couple of things for me. It sets my site apart from others and it also helps me to continue to refine my abilities as a videographer and video editor. It’s not easy doing either. I shoot video mostly with a Canon XH A1 and I edit in Final Cut Express. The camera will do things I can’t even imagine. Final Cut Express requires a huge learning curve but it’s an amazing video editor. I’m decent at both, but no means great. But like everything else, if you can do something that others can’t, the others usually consider you somewhat of an expert.

I recently shot a video of an event in my hometown. I put quite a lot of time into it because it was high profile. The video turned out great. A lot of high profile people viewed it and I got a ton of positive feedback. I didn’t charge a dime for it. I actually burned a DVD copy and gave it to the organizer of the event. It’s all part of my overall networking plan for my hyperlocal blog.

The result of the video is that I was asked to do a freelance video job. I agreed to discuss it and actually had a couple of meetings. Let me say that I was not crazy about doing the paid job because of the extra baggage and worry. Equipment malfunctions are always a possibility. The possibility of producing a great video in my eye but not in the eye of the one hiring me. Underestimating the time to complete the project and deliver it based on my quote. There are many other factors also when it comes to video production.

One of the first things I asked this client was what is your budget? I was met with a stone face stare and told “I don’t know”. The scope of the project was outlined and discussed and I again asked what the budget was. Again, I was not given an answer. This was a client who could easily afford to pay for a quality project. This was not a small business without a budget. The ability for this client to pay was not a factor with me. They had a job they wanted performed by me. I had to determine what I would do it for, plain and simple. I hate situations like this. I was going to have to show my cards while they did not want to show theirs. Cat and mouse.

Now the hard part. I gave the project a lot of thought. I had 3 meetings with this client. I easily invested 4-5 hours of my time. I determined what I was willing to produce the video for. My name would be on it and most likely a lot of people would view the video over time. It was a project that could possibly even be distributed nationally. It was a video that would serve a niche. It had to do with safety, security and and training for a life threatening situation. After research and consultation with a professional videographer, I submitted an estimate that was half of what the “Professional” would have submitted. I was willing to work and produce for the price I quoted.

Upon my third meeting with this client, I submitted my estimate. Mind you, I was never given a budget. As I handed the paperwork over, my client looks at me and says “I hope its not going to be too bad”.

That was reassuring as the paper left my hand and into my clients. As they open the paperwork they winced and actually scooted in their chair as if they were sitting on a hot plate. As you can imagine, we both became immediately uncomfortable. I submitted a bid way over what they expected. The client is now facing a budget problem that throws a monkey wrench into what they were hoping to accomplish. Guess what? I’m the monkey wrench now through no fault of my own. I did not like my position and was very uncomfortable.

The project was even discussed with others in front of me about the possibility of getting others to contribute to the project. I am now in the unenviable position of being a problem with the project. They were very nice about it, but I wanted to be somewhere else. I’m sitting there thinking, I didn’t ask for this job. I was not given a budget for this job. I had already produced a video for them for free that was worth several hundred dollars. I’ve got about 5 hours into this already and it’s not looking good. I felt like I had put myself in a situation and had not handled it correctly from the start. I was a little peeved at myself, not my client. I actually like the client very much. I failed to handle this situation properly.

5 days before the project I received an e-mail that I would not be doing the video. Their budget could not handle it. I have no idea at this point if someone else came in and did the job or not. I am a little curious but it really doesn’t bother me if someone else did or not. I know what I was going to deliver to this client, and I determined what I would do it for. Could I have used the money? Yes, of course. Could I have used the exposure it would have afforded me? Yes, of course again.

This situation all goes back to an earlier article I wrote here on Bloggerlens. Build a great hyperlocal blog and get paid for it. I’m working hard to create my own job on my own terms with my hyperlocal blog. I am determined to retain control over what I do. My desire is to make money with my community site, but to do it on my terms. You may call me crazy, but I’ve done crazier things in my life. For the past 3 years I’ve been involved in real estate and construction. I’ve given a ton of things away in an effort to get a job or to make a client happy. For the most part, it does not work for you. It works for those you give freebies to but it leaves you with a sinking feeling of un-accomplishment. (not sure if that’s a word).

Lessons I learned from this:

You may be a freelancer yourself and you may handle these types of situations different than I would. I expect that I will have many, many more opportunities from my hyperlocal blogging efforts and I will deal with them this way.

1. A prospective client must give me a ballpark budget before I will estimate a job. This is probably something I will not waiver on in the future. Most people have no idea of what it takes to put a video together, or build an ad or something of this nature. They only see the final product and don’t have a clue as to the knowledge required or time spent on the production.

2. Don’t show your cards first. If you don’t have a budget, call me again when you do. The easiest way to lose a a poker hand is to show your cards to the other player. You almost cannot win.

3. If and when you tell me your budget, I will base my estimate on your budget. Another words, if you can only afford $500, I will tell you what I will do for $500. If you like it, we will move forward. At least we will have a baseline to work with. If you want more, we’ll go higher. If you want to pair it down, we can do that also.

I would love to hear your suggestion as to how you handle these types of situations. When you start a hyperlocal blog, you will be faced with these situations sooner or later. Personally, I feel that how you will handle this will determine your failure or success. I experienced failure because I did a poor job of handling it. As I approach business for advertisements or I’m approached for other freelance jobs, I will be better prepared now. I hope that you will be too.

Copyright 2009 bloggerlens.com Hyperlocal Blogging & Citizen Journalism

  • ssherron
    @Lawrence I actually use the Canon XH A1 probably more than the Kodak but it depends upon the situation. The Kodak is pure speed and ease of use. Carry it around like a cell phone. My Canon is basically a Professional HD Camera. A lot of hyperlocal bloggers would not be willing to pay for such a camera. When I carry my Canon, most people think I'm with a TV station.

    Because of the Canon, I've been able to do some other video projects and be paid.

    If one can afford a professional setup, I say go for it. I push the Kodak a lot and will continue because I feel that video is an absolute must for a hyperlocal blogger. At the least, buy a camera like the Zi6 and carry it everywhere. I never leave my house without it. The one day you do not carry some sort of video camera, no doubt you will happen upon some event in your town and not be able to capture it. That has happened to me a couple of times already.

    On the new article I published today with the video introduction. It took less than 2 minutes to shoot with the Zi6. Probably 10 minutes to upload and for youtube to prepare it for viewing. In less than 15 minutes, you could be watching what I just shot at my house and we are on opposite sides of the world. That just blows my mind.

    I use Final Cut Express for editing. FCE is great because I can edit videos from the Zi6 and the Canon with this software. I will be doing video reviews for every single product I use in my blogging endeavors over time.

    Let me digest your other remarks. I wanted to comment on this one this evening. As always, I appreciate your active participation here on Bloggerlens. You give me good ideas for articles.
  • You mentioned a couple of products in your post. The Canon XH A1 and Final Cut Express.

    I am assuming you have dropped the Canon in favor of the Kodak. Or maybe you use both of them in different circumstances.

    See how closely some of us listen to you, laddie?
  • The Eternal Price for Quality Equation

    Steve, it all comes down to a price for quality equation, doesn’t it.

    Yip, you need to know the budget a feller has in mind before you give him your price for a project. If he asks you what you’ll charge for the project, he must have some criteria in mind for deciding whether or not it is worth pursuing the project with you as the provider.

    Your natural response to his question about your price must in return be a question or a series of questions to help him determine his idea of the value of the project is to him.

    If he still doesn’t know or is unwilling to tell you the value of project to him, it means either that he wants to get every penny of extra profit for you out of the project before he starts earnest negotiations. So your answer to his question must be how can he expect you to assign a value to the project, if even he doesn’t know its value to himself.

    You might then want to give him three off-the-cuff nonbinding estimates, and you must make it clear that these are nonbinding stabs-in-the-dark estimates based on the limited knowledge you have in hand. Then proceed to give him a barebones best price (for you) estimate, a mid-range quality estimate, and a down-and-dirty, no frills estimate. I would then add that these are paid-in-advance price quotes, and, if he wants to pay 50% down and 50% on completion, that will automatically add 10% to the overall charges.

    You see, when you know your are dealing with a rogue who is trying to suck you dry before he buys, that you may well be better off leaving that project to another to handle. There are, after all, more enjoyable ways to go broke in business than giving charity to a thief of time—your time.

    Yes, sir, you hit a hot button with me on that one. I don’t cotton to dealing with those kinds of people.

    Now, it happens that you will come across a situation like that with a person whom you can see just doesn’t know because of their native naïveté at this point in their life in this kind of circumstance. I would tend to handle those kinds of people in a more tender fashion. Discerning whether or not this is the case is, of course, a matter of judgment.

    If I am going to err, it is going to be on the side of leniency. You can’t win every battle in any war. It is winning the war—getting and successfully completing the project —that counts.

    Here’s a little bit of levity on this matter that I have saved for a long, long time. I hope you enjoy it.


    Better Prices You Say?

    Well now, our products are a little bit like oats, the price is affected by supply and demand and quality.

    We can’t do much about supply and demand, but let's look at quality.

    Good oats cost a little more than shoddy oats and they tend to give you more value for your money.

    Quality begets quality. You can trust the guy selling good quality oats to stand behind them, and not to cut corners, and to always have a fair price in good times and in bad.

    The guy selling shoddy oats, on the other hand, may on occasion sell you some real shoddy oats and expect you to swallow them, but if you can't keep them down, well, that's your problem; after all, you knew you were buying shoddy oats, didn't you.

    Now if you really want to save yourself some money, you can get oats that have already been run through the horse once. Them’s oats that cost quite a bit less. They cost you less than shoddy oats and they may even be better than shoddy oats, 'cause, if you can't keep them oats down, you can throw them up on the lawn and the grass will thank you by growing like crazy.

    You get what you pay for. Myself, I prefer good oats from someone I can trust.

    And here’s one more for your enjoyment and edification:

    The Price of Popcorn

    For the first time in many years, an old man traveled from his rural town to the city to attend a movie. After buying his ticket, he stopped at the concession stand to purchase some popcorn. Handing the attendant $1.50, he couldn’t help but comment, “The last time I came to the movies, popcorn was only 15 cents.”

    “Well, sir,” the attendant replied with a grin, “You’re really going to enjoy yourself. We have sound now.”



    I hope you enjoyed reading the foregoing. I wrote it as much for me as for you. If I missed something or got something wrong, just let me know. I promise I won’t cry—well, not much anyway.

    Thanks, Steve, for being there and for all you do for us.
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